Tag Archives: language ideology

Piers Kelly on his book, The Last Language on Earth

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https://global.oup.com/academic/product/the-last-language-on-earth-9780197509913

Carolina Rodriguez Alzza: Could you tell how was your first approach to the Eskaya language, and how did Eskayan villages in Bohol become a field site for you?

Piers Kelly: Way back in January of 1980, the Eskaya people were ‘discovered’ by agricultural advisers in the highlands of Bohol in the southern Philippines. These isolated people were wearing clothes made of plant fiber, speaking in an unknown language and writing in a strange script. The story of this encounter spread quickly, prompting a series of informal visits from tourists, adventurers and tabloid journalists. Some of the subsequent reports they made about the putatively lost tribe became infused with local folklore traditions of lost worlds and lost treasures. Eventually a hard-nosed journalist from Manila came and wrote an exposé in which she argued that the Eskaya were in fact a rural cult speaking an invented language. In the years that followed Eskaya people started to defend their interests in terms of access to land and resources. They would eventually make use of the Indigenous Peoples Rights Act to do this and from the 1990s onwards they began identifying themselves as Indigenous people. It was through this process that I first came into contact with the community.

In 2005 I had been working for the travel publisher Lonely Planet in Melbourne when a job opportunity came up in an Australian government aid program to document an undescribed language of the Philippines. I reached the Philippines at the end of that year and worked out of the service center of the National Commission on Indigenous Peoples in Tagbilaran, the main township of the island province of Bohol. My role was to produce linguistic reports to help evaluate an Eskaya claim for legal recognition.  

When I got to the Eskaya villages I began working very intensely, making recordings, photographing traditional Eskaya manuscripts and trying to learn the language. I was already aware that the status of the Eskayan language was controversial. Some were saying that it had been fabricated to attract government funding to an underdeveloped corner of the highlands. Others were making even stranger claims, for example, that the Eskayan language was really Hebrew or Etruscan.

At the end of ten months I wrote up a report in which I concluded that Eskayan was likely to have been created within a single generation, and that this theory was consistent with the speakers’ own origin stories that attributed the creation to a heroic ancestor. I also suggested that this creative event likely occurred some time after Spanish colonization in the 16th century. This was on the basis of the fact the Eskayan appeared to share the same morphosyntax as Visayan (the dominant language of Bohol), but with a radically different lexicon, and that this lexicon exhibited a strong influence from Spanish even in core vocabulary. In other words, there were Spanish loanwords turning up in parts of the lexicon that don’t usually attract loans, for example, in body part terms. It looked very much like the creative ancestor had taken Visayan morphosyntax as a basis but systematically replaced all the lexemes with newly devised terms. In doing so, the ancestor was influenced by Spanish as a model of linguistic foreignness.

I was worried that these findings would reinforce a narrative that the Eskaya people were inauthentic since their language was recent. But in fact the Indigenous Peoples Rights Act is less about establishing indigeneity and more about finding evidence for ongoing occupation and cultural continuity.

I was still very interested in this topic but my lack of qualifications ended up weighing on me and when I returned to Australia I started studying linguistics for the first time. I eventually enrolled in a PhD so that I would have the opportunity to go back to Bohol and keep researching.

Carolina Rodriguez Alzza: The book starts with a question you heard repeatedly from local people: “Is Eskayan real?” How did this question motivate your research on the Eskaya language and how has your work challenged previous approaches to study this language?

Piers Kelly: In some ways this question is the crux of the entire book. From the 1990s onwards Eskaya people began identifying themselves as Indigenous. This was not a category that they had used before so it involved a certain amount of adaptation to meet the administrative requirements of government. For example, each village had to appoint a chieftain and make official lists of tribal customs and laws. At the same time, Eskaya people have always maintained that their special language and script were both invented by the ancestor Pinay, whom they recognize as the first pope in the Philippines. In effect, Eskaya people had a traditional set of beliefs about themselves and their language that didn’t neatly match up with the lowlander image of an exotic lost tribe,  nor with the tick-the-box requirements of a government department. All of this is to say that the answer to the question “Is Eskayan real?” depends on what you take linguistic authenticity to be.

Adding further complexity, Eskayan has never been used as a language of everyday communication but is used only in the context of schooling, speechmaking, prayer, song, and the written is used in the reproduction of traditional stories. What I wanted to do was ask the Eskaya people themselves what they thought about their language, where it came from and what their own criteria were for defining a language. Equally, I wanted to do a better job at analyzing the language itself since I was confident that its grammar, lexicon and writing system would reveal something important about the context of creation, mythic or otherwise. This was a departure from previous media commentaries that neither examined the language, nor paid any serious attention to Eskaya perspectives.

Eskaya people narrate that their created language was suppressed under early Spanish rule, but that records of it were discovered carved on tablets by their leader Mariano Datahan (ca. 1875–1949). In the wake of the devastating Philippine–American War (1899-1902), Datahan spearheaded a radical sect within the Philippine Independent Church and gained many followers in the mountains. Today such a movement would indeed be characterized as a cult but in the early 20th century, such movements were commonplace throughout the Philippines and they were highly political organizations. They asserted a desire for independence from US rule and expressed a great deal of cultural self-confidence and patriotism. My analysis—based on linguistic, archival, oral historical and genealogical evidence—places the creation of the language (or its ‘revelation’) in the 1920s and 1930s during a period of relative peace and optimism. In other words, it happened at a time when Filipinos living in remote or isolated areas were invited into the national conversation. It was also a time when both elites and non-elites were imaginatively reaching back to a time before colonization and trying to restore a more authentic and uncorrupted Filipino culture to embody aspirations for independence. Throughout traditional Eskaya literature, written in both Eskayan and Visayan, there is a real struggle to articulate a language ideology that reconciles the supposedly natural and the artificial. The Eskayan language, after all, is understood to have been intentionally created and then recuperated, but the act of creation is regarded as organic. It comes directly from the human body and it can’t be falsified or misrecognized. In this way, the language itself is a political statement that embodies a claim to cultural sovereignty.

Carolina Rodriguez Alzza: Your book offers a brief history of language ecology in Bohol. How is language diversity and linguistic contact traceable in Eskaya manuscripts? What do you mean with “sources of inspiration”?

Piers Kelly: The language of Bohol is called Boholano-Visayan and it’s one of several varieties that make up the Visayan language. The Eskayan language has the same morphosyntax as Visayan but a radically different lexicon. I was interested in taking the traditional account of a creative ancestor seriously and then asking, how did he go about making this language? What was his theory of language? What resources did he draw on? It’s clear that he drew on Visayan primarily including regional varieties like Hiligaynon, but when it came to innovating a lexicon he took inspiration from Spanish, especially in the syllable structure. There is also an influence from English. What’s fascinating is that the influence from outside languages doesn’t conform to typical patterns of borrowing. Filipino languages certainly draw on Spanish or English models when it comes to lexifying products, species or technologies introduced during the colonial encounter. But languages in the Philippines and elsewhere do not generally borrow terms for really basic concepts, like ‘air’, ‘water’, ‘head’ or ‘hand’. Eskayan bucks the trend. It relies on Spanish and English words for core vocabulary like body parts (the Eskayan word for skin is piyil from Spanish piel), while creating native terms for new technologies like ‘airplane’ (the Eskayan word is kanis) or introduced animals like ‘horse’ (the Eskayan word is bril). So innovation goes right through the language. The creative ancestor, and his prophet Mariano Datahan, were not concerned with replicating naturalistic patterns of borrowing but rebuilding the lexicon from the ground up.

Carolina Rodriguez Alzza: Could you explain more how the Eskaya writing system is unique among world’s scripts and how it has enabled the Eskaya people and their knowledge to be protected in the Philippines?

Piers Kelly: Unlike languages, all writing systems of the world are artificial. At the same time there are only a limited number of ways that a writing system can encode language, so the typology of writing systems is relatively narrow. What’s interesting about the Eskaya writing system is that it combines so many different typologically distinct methods of representing language. It has alphabetic, alphasyllabic, syllabic and even morphographic characteristics, and there are more than one thousand individual signs. The outward form of the script is said to be inspired by human body parts and in some cases you can recognize this iconicity. There is a symbol that represents an ear, and another that represents a brain and another that represents an esophagus. Interestingly too, the script is visually complex to an almost excessive degree and there’s no evidence that it has been simplifying as other scripts tend to do over time. What I argue is that this complexity if a feature not a bug. It is designed to be cryptic and hard to learn. It acts as a natural barrier to acquisition, so if you learn to read and write in Eskayan it proves that you have passed through a challenging intellectual process. At the same time, the complexity of the script is presented as tangible evidence of cultural sophistication. I see this dynamic at work throughout the Eskayan language and literature, and I use the term ‘mimicry and rejection’ to describe it. It’s all about replicating a colonial model but then ratcheting it up to a more complex formation to then stand in opposition to the original model.

Carolina Rodriguez Alzza: How does the Eskaya language encourage us to rethink “what is a language”?

Piers Kelly: The creation of Eskayan might represent an extreme situation but it’s one that I think brings the politics and aesthetics of language into sharp relief. Learned from infancy, language is understood a natural and even instinctual aspect of human development. At the same time we’re always forming analogies between linguistic phenomena and social phenomena, and we love manipulating language to do things other than straightforward communication. In a very stark way, the Eskayan lays bare the kinds of language ideologies that underpin language use around the world.

Thinking with “Thinking with an Accent”: A Roundtable Conversation

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A conversation between Slava Greenberg, Michelle Pfeifer, Vijay Ramjattan, Pooja Rangan, Ragini Tharoor Srinivasan, and Pavitra Sundar

In 2021, as our co-edited book Thinking with an Accent: Toward a New Object, Method, and Practice entered production, a Silicon Valley start-up began advertising an app that uses AI to modify accents in real time. As one reporter put it, “rather than learning to pronounce words differently, technology could do that for you. There’d no longer be a need for costly or time-consuming accent reduction training. And understanding would be nearly instantaneous.” Thinking with an Accent offers a sorely-needed alternative to this vision of a world where communication and understanding happen automatically, and seemingly magically, without translation or friction. Taking as our point of departure the idea that an accent is not an unfortunate thing that only some people putatively have, but rather a powerful and world-forming mode of perception, a form of minoritarian expertise, and a complex formation of desire, our volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice.

Thinking with an Accent was published in print and Open Access in February 2023. This summer, a few of us co-editors and contributors gathered online for a conversation about our respective contributions to the book and our thinking on and after its publication. Highlights from our virtual roundtable appear below.

Ragini Tharoor Srinivasan (co-editor): It’s been six months since the publication of Thinking with an Accent (TWA). In the intervening time, I’ve been tremendously excited by how many of us are already extending and expanding our interventions in the accent volume: in new articles, in video essays, and even in just-published or forthcoming monographs. I know that my own recently completed book manuscript, on the pedagogy and accented reading of Indian English literature in the Anglo-American university, could not have been written as it is without TWA.

Pavitra, you’ve just written a book (congratulations!) in which you theorize the practice of “listening with a feminist ear.” Relatedly, your chapter for TWA theorizes “listening with an accent” as a “queer kind of listening.” In a recent video essay, you perform “listening to listening.” How do these four forms or modalities of listening relate to each other?

Pavitra Sundar (co-editor): Thanks for this question, Ragini! As you know, I was working on my book and our accent volume around the same time, which meant that I was circling around similar issues in the two projects. Both “listening with a feminist ear” and “listening with an accent” are animated by a kind of critical utopianism. Enfolded within them is a critique of current sonic regimes – of what Jennifer Stoever, for example, calls the racialized “listening ear” – as well as a challenge to those regimes. My concepts turn on the belief that we can re-tune the listening ear. In my book, Listening with a Feminist Ear, I bring a sonic sensibility to the analysis of Bombay cinema, examining how specific voices, languages, genres, and sounds come to be understood as they are. So the questions at the heart of my monograph are similar to the ones we ask in Thinking with an Accent: how do we hear accent/cinema? Can we hear it differently?

In my essay for TWA, I play with a wonderful poem by Aracelis Girmay to re-theorize accent in relation to place. Accent is often thought to be tied in place by place. The aural trace of the place in which we were born or raised is taken as a sign of our national, ethnic, and/or racial identity. I take that potentially essentializing notion and apply it to myself (the listener or reader) instead of the accented speaker. Rather than listening for the place audible in others’ tongues, I ask how my own listening is placed. From where do I listen? In your feedback on my draft, you noted the proximity of my framework to standpoint epistemology. You’re absolutely right! But where standpoint epistemology tends to mobilize visual metaphors (regarding how one sees the world) I emphasize the aural. How does my social location, including and especially my experiences with language, shape the ways in which I listen? To what extent is that place from which I listen fixed? How might I re-orient – or, better yet, disorient – the standpoint I habitually occupy as a listener?

In these projects and in my recent video-essay work, I’ve been inspired by Nina Sun Eidsheim (another of our TWA contributors!), who, in her brilliant book The Race of Sound, calls on us to “listen to listening.” To shift attention away from the sonic object (voice, in particular) and to the naturalized ways in which we make sense of voice through listening. Relatedly, I’ve been thinking about your work on voice, Slava. One of the things I love about your TWA chapter, “Accenting the Trans Voice, Echoing Audio-Dysphoria,” is that it forces us to think about voice and accent in relation to each other. Could you say a bit about how your thinking on either or both of those categories developed over the course of writing the essay?

Slava Greenberg: Thank you, Pavitra, for the opportunity to share my writing process, some of which was inspired by conversations with you, Rigini, Pooja, and Akshya, and which have also influenced my work on the unauthorized biography of gender dysphoria. When I first sat in front of a blank document to write my chapter, a childhood memory from preschool in Kyiv typed itself. It was about hearing a disembodied voice that sounded like my mom, speaking Ukrainian, which drew me out of the classroom and onto the school grounds, where I found a child on a tree on the other side of the school fence being scolded by my teacher in Russian while surrounded by my classmates. I told the kid to wait for me because my mom would be able to understand. The next thing I remember is the three of us eating sweet strawberries in our kitchen. What was actually at the core of that memory was my dad’s condescending jokes about my mom’s Ukrainian accent. It wasn’t that she gladly spoke Ukrainian – with whoever was willing (or not), particularly her two siblings, at any and all occasions – but her accent that became the punchline of his jokes. My mom laughed along, paying it no attention and carrying on with pride.

I deleted the story, realizing that I had conflated voice and accent because they were both the butt of my dad’s jokes, and the kid was just speaking Ukrainian in a Russian-speaking-dominant city, not Russian with a Ukrainian accent as I initially remembered. I also deleted the bit about my dad’s favorite joke merging the two by provoking my mom to respond with a word that sounded like a bark to a Russian-speaking ear (how). As an accented speaker, I am experienced with training for vocal assimilation. As a trans man, I am experienced with the transition of my voice on hormone replacement therapy (HRT) into a deeper, yet somewhat grinding-sounding and, as I elaborate in the chapter, feminine-sounding voice over the phone. The accenting of my voice and speech are intertwined.

Activating and then deleting this childhood memory was how I knew that the only representation of this entangled voice-accent phenomenon that resonated with me was in a film centering an accented trans woman who does not utter a word but sings one karaoke song, echoing someone else’s words and muffling her accent and trans voice at the same time. Hiding an accented trans voice for safety has brought back to me the memory of the child up on a tree, proudly yelling back in their own voice and language, and the taste of those strawberries my mom sprinkled sugar all over, which we shared.

Michelle, I would like to extend the same opportunity to you now, to share a shift in your thought process as you were writing your chapter, “‘The Native Ear’: Accented Testimonial Desire and Asylum.” Is there a deletion, omission, perhaps a scene or moment of forgetfulness that you’re now rethinking? I’d love to know more about the motivations behind your thinking through the synthetic voices and the possibilities of migrant testimony.

Michelle Pfeifer: Thank you so much for your question, Slava. I started working on linguistic analysis and migrant testimony in 2015 when Germany took center stage in the so-called European refugee crisis. While Germany was hailed as a benevolent, liberal, and humanitarian center of Europe – supposedly “welcoming” refugees with open arms – what we were actually observing on the ground was an intensification of border and asylum regimes. One way in which this intensification took place was through different technological, biometric, and data-driven tools that were used to determine the identities and countries of origin of people seeking asylum in Germany. One of those tools is a dialect recognition software that supposedly can distinguish between different, mostly Arabic, dialects on the basis of a speech sample with an average length of 25 seconds. This software was used to contradict the statements people made in their asylum interviews and ended up further restricting the right to asylum in Germany because people’s claims to asylum could be and still are regarded with suspicion.

As I started to research this dialect recognition software, it became apparent that its use, development, and functioning were shrouded in intentional secrecy and obfuscation. So, the motivation for my research was twofold. First, I wanted to find, collect, and publish information on linguistic analysis and asylum in order to expose and challenge how it reproduces and intensifies the precarity of people seeking asylum. Second, I wanted to dig deeper into the underlying assumptions and claims of linguistic expertise of voice recognition and asylum to show and critique how applicants are placed in a double bind: they are incited to speak during asylum procedures, and then simultaneously have their testimony scrutinized and placed under general suspicion. My contribution to TWA shows one of the directions of this research. I focus on predecessors of dialect recognition software and the convergences of linguistic expertise and law, as well as the longer colonial continuities that produce what I call a linguistic passport that, like other passports, distributes both possibilities and impossibilities of movement and mobility.

Since writing my chapter, I’ve been thinking about linguistic mobilities more broadly, including within the classroom setting. Vijay, your chapter, “Accent Reduction as Raciolinguistic Pedagogy,” ends with a discussion of possible strategies for a counterpedagogy to accent reduction programs. This discussion was very generative for my thinking on my own pedagogical practice and experience navigating educational institutions. Would you like to share an example (or examples) of these counterpedagogical strategies from your teaching, research, and/or writing practice?

Vijay A. Ramjattan: Thanks, Michelle! As someone who teaches listening and speaking to international students, who may experience anxiety about their accents and thus seek out accent reduction, my counterpedagogy attempts to alleviate this anxiety by challenging the alleged effectiveness of accent reduction. While this service is marketed as a means to become intelligible, its conceptualization of intelligibility is problematic, to say the least. Instead of being a quality of an individual, intelligibility should be understood as a goal requiring the collaboration of speaker and listener (in the case of oral communication). The problem with accent reduction, then, is that it requires the speaker to undertake the entire burden of communication without ever considering how the listener needs to put in some effort as well. This is particularly concerning when listening practices can be informed by ideologies of oppression and thus unfairly position certain speakers as orally deficient no matter how they sound.

In my chapter, I imagine a counterpedagogy in terms of and at the scale of institutional change. However, as an educator, I realize that counterpedagogies first form at the micro level. To counteract the idea of intelligibility as an individual trait and place more importance on listening, I try to have students develop listening strategies, which can range from paying closer attention to the context of an utterance to decipher unclear words, to recognizing how other semiotic practices such as gesture help to communicate a message. Wherever possible, I also have classroom discussions that explore how accent helps to reproduce racism, xenophobia, and other interlocking systems of oppression in educational contexts and beyond. Inspired by these discussions, students have given presentations on accent discrimination.

To return to the matter of scale, I continue to imagine how what I do in the classroom could be translated into a collective effort to undo the pernicious effects of accent reduction. Ragini, I wonder if you might similarly describe your chapter “Is There a Call Center Literature?” as a micro-instance of a larger possible intervention. In your chapter, you use the idea of call center literature to pursue the accentedness of reading. For example, your discussion of Megha Majumdar’s debut novel A Burning  highlights your own accented perception that Majumdar is writing for a non-Indian Anglophone reader. For readers who may be uninterested in “call center literature” as such, what are some key takeaways from your chapter that you would like to emphasize?

Ragini Tharoor Srinivasan: A terrific question, Vijay. You’re very right that I hope my essay on call center literature might offer an intervention at multiple scales. On the one hand, it is an inside baseball response to academic debates on World Literature. On the other hand, I intend it to be a more generally applicable performance of thinking and argument-formation that takes seriously the ways that all of us variously pronounce our desired interventions into any critical conversation. Call center literature is an archive, a method, and an object of desire. It is also, I argue, a literature of accommodation that draws our attention to what we might call, following Jennifer Stoever, the “reading ear” and how it is primed to perceive the non-Western Anglophone text. To repeat Pavitra’s questions about listening with a difference: from where and how do we read, and how do our own accented readings in fact produce the texts we read?

I mentioned earlier that I recently completed a book manuscript on the pedagogy of Indian English literature. In that work, I try to further develop a method of accented reading that combines close textual exegesis of literary texts with discursive analysis of critical debates and responses to the texts. The result is a metacritical mode of engagement with literature that strives to attend to the cross-pollinating and co-creative dynamics of reading and writing. When we read any work of literature, we have to ask not just what the author is saying, but rather what they are saying to whom in what disciplinary and curricular contexts – or, for that matter, what the text is being made to say by a critic or pedagogue in order to advance some particular argument. In this way, I seek to build on TWA’s signal revisioning of the relationship between listening and speaking through an elaboration of accent as a non-indexical mode of perception, and not simply as an identitarian marker.

It’s been such a joy to do this work alongside all of you! Looking forward to our next opportunity to think together with and about accent.

Katy Highet takes the page 99 test

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I wasn’t expecting my p. 99 – right in the middle of my methodology – to be particularly revealing. But as luck (or indeed Ford Madox Ford) would have it, on p. 99 we land midway through a description of my participants that speaks to the crux of my thesis:

Most of the students came from the same sub-caste, one that represents the vast majority of the population of the area around the branch. I have chosen not to disclose the name of the caste, as they are heavily concentrated in one particular area of Delhi – where my branch was located – and revealing this would make the branch potentially identifiable to those familiar with Delhi. I understand that this has scholarly implications, as my writing on this caste cannot be cross-referenced if it is kept anonymous, but this is a sacrifice that I am willing to make in the interest of protecting my participants’ anonymity. With regard to the positioning of the caste, there is great disagreement over which varna (the four main caste subdivisions) they belong to, with some claims that they descend from the Kshatriyas (second ‘highest’ caste) and other arguments that they are from the Vaishyas (the ‘third’). While their ancestral descent may be disputed, in Delhi this caste group have been labelled as OBC (Other Backward Classes) by the government as the caste is deemed socially, economically and educationally ‘backward’. Interestingly, this classification is not ubiquitous across India. In some states, this caste has been allocated ‘Scheduled Caste’ (SC) status by the government, a status reserved for the most oppressed peoples, usually those from the Dalit communities. Parallel to this, in 2008, there was civil unrest in another state of Northern India as this caste group rallied to be re-classified from OBC to SC, which would grant them further quotas for government jobs. While they may not be the most socially oppressed caste, there are widespread negative stereotypes in circulation of them as thuggish, uneducated and uncouth. There was a rumour circulating in the branch while I was there that Dominos no longer delivered pizza to that area as the delivery boys were too afraid. Although a facilitator informed me that this was not the case (Dominos were allegedly refusing to deliver as the road names were not marked clearly and they struggled to find addresses and deliver in the 30-minute timeframe that was promised by the pizza chain), the rumour was a clear indication of the types of assumptions made about this caste group (both by members and non-members). A Google search of the caste brings up links to a question posted in a forum asking why this caste is so feared in Delhi. Most of the responses chastised the caste members for being ‘unintelligent’ and only capable of responding to issues with violence, but one member of this caste took this as an opportunity to attempt to quell such stereotypes…

The aforementioned branch was one of several hundred branches of a non-profit English and employability training programme in North India and was the primary site for my ethnographic exploration of social mobility and English. Specifically, I was interested in the material, discursive and affective consequences of English speakerhood as a deeply embodied phenomenon enmeshed with wider historical processes and structures of inequality. As p. 99 suggests, caste – and its intersection with class, gender, race, colonialism – became the bedrock of my analysis.

Listening to the experiences of the students such as those described on p. 99 unearthed ambivalent feelings about their investments in English. On the one hand, they were deeply committed to pursuing a language that they had come to understand as their key to not only jobs but prestige, pride, (upward) marriage, and modernity (see also Highet 2022); on the other, there were recurrent moments of despair as they wondered whether this language framed as a resource could really live up to its promises; whether their transformation into an English speaker – a figure built upon colonial, class and caste stratification – could really help them counter their marginalisation and stigmatisation.

This is evident in the Domino’s rumour that I chose to illustrate the constant, dynamic presence of caste in these students’ lives, and which shows how the discursive ‘castelessness’, in Deshpande’s (2013) terms, of the middle classes obscures what is in practice a deeply consequential element of social organisation. In later chapters, I return to this to argue that this ideological ‘castelessness’ is a key part of what propels the discourse of social-mobility-through-English, as it reframes social mobility as an individualised pursuit, open to anyone, if only they try hard enough.

The problem, I argue later, is that these remain politically very difficult conversations to have, particularly in the current climate of rising suspicion of anything ostensibly ‘anti-national’; it is partly for this reason that I took the steps mentioned on p. 99 to protect my participants’ identities. This raises difficult questions – questions that I continue to grapple with – about the ethical and political challenges at stake in critical research and in our engagement with projects of social transformation.

References

Satish Deshpande. 2013. “Caste and Castelessness: Towards a Biography of the ‘General Category.'” Economic and Political Weekly. 48: 32–39.

Katy Highet. 2021. Becoming English speakers: a critical sociolinguistic ethnography of English, inequality and social mobility in Delhi, UCL Institute of Education. https://discovery.ucl.ac.uk/id/eprint/10122328/

—–2022. “She will control my son”: Navigating womanhood, English and social mobility in India, Journal of Sociolinguistics (early view online version available open access)

Joshua Babcock takes the page 99 test

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“It’s about sarees or some shit.” This sentence—probably my favorite in the dissertation—comes from a group interview with Chand Chandramohan, Diva, and Seelan Palay, the organizers of Singapore’s first all-South Asian contermporary art series, From Your Eyes to Ours. The quote shows up on page 99 for the second time in the chapter, just before the chapter’s conclusion starts. In this quote, multidisciplinary artist Chand Chandramohan summed up a series of assumptions that were routinely articulated by racially hegemonic Singaporean perceivers upon encountering the art event: that to be an Indian-Singaporean artist is to do “Indian art”—that is, to (re)produce traditional South Asian forms for Indian audiences—thus denying the possibility of their participating in contemporary art aesthetics.

Like most places existing in the wake of racialized/racializing modernity, in Singapore, to “belong” to a race is also to “possess” a language—at least ideally. Later on page 99, I note that the three co-organizers gave the title “Yes, I Speak Indian” to a visual art exhibition that occurred as part of From Your Eyes to Ours. This title acted as a form of shorthand satire, critiquing a recurrent assumption that “Indian” is a monolith, a single community that possesses and uses a single language.

Yet more than this, the organizers of From Your Eyes to Ours voiced and critiqued a deeper presupposition: that to invoke “Indian” in Singapore is to invoke not only a race, but also to legitimate Race. Referenced via the shorthand CMIO (an acronym standing for Chinese, Malay, Indian, and Other Singaporeans), Race-capital-R stands as the sum total of all the “races of Singapore,” a self-evident, totalizing structure that shapes raciolinguistic hierarchies in the present without actually being total.

Beyond its contents, page 99 exemplifies my dissertation’s broader political stakes. Page 99 presents large stretches of the interview with Chand, Diva, and Seelan as theory-work, rather than relegating it to the status of mere evidence provided by an “informant.” Like the dissertation, page 99 also doesn’t shy away from the political: from deep, close engagement with the critiques of raciolinguistic hegemony, oppression, and marginalization that were generously articulated to me by my co-theorists in Singapore. Similarly, like page 99, the dissertation confronts my own status as a raciolinguistically hegemonic perceiver, as a token of a privileged type capable of accessing prestige registers of English, elite education, and white-passing privilege—among others.

Joshua Babcock. 2022. Image and the Total Utopia: Scaling Raciolinguistic Belonging in Singapore. University of Chicago, PhD.

Fang Xu on her book, Silencing Shanghai

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Interview by Andy Zhenzhou Tan

Andy Zhenzhou Tan: The topic of your book – the (potential) loss of a language variety under language standardization – is of wide relevance since the rise of modern nation-states and their monoglot ideologies. What is the distinctiveness of the case of Shanghai and Shanghaihua (the Shanghai dialect) in contrast to, say, those of other regions in China and their dialects? How does this distinctiveness play out historically and in terms of the charged dynamic between the multiple social powers and groups involved? 

Fang Xu: Earlier on during the Republic of China (1912-1949), the creation of a national language and language standardization were justified by their alleged contributions to unifying and modernizing the country and its citizenry. At that time, semi-colonial Shanghai was already cosmopolitan and modern. The lingua franca of the “Paris of the East” was the Shanghai dialect, and thus the classical justification for the creation and imposition of a national language to facilitate industrialization, urbanization, and meeting the demand for a (linguistic) uniform labor force did not necessarily hold in the case of Shanghai. A reference point is Kathyrn Woolard’s work in Barcelona, where the suppressed Catalan during the Franco era (1939-1975) has been a prestigious language throughout the history, and the locals in general fare better economically than the Castilian-speaking migrants. The Shanghai dialect came into shape in a cosmopolitan city in the late 19th and early 20th century, though it is based on Songjiang county’s variation of Wu Chinese.  The origin story sets it apart from other regional dialects, for example, Cantonese. Cantonese can claim a historical, more rooted Chinese-ness that the hybrid and relatively young Shanghai dialect cannot. 

It is the power struggles between not only the state and the people, but also waves of migrants in Shanghai. Shanghai’s unique identity as a migrant city sets it apart from many Chinese cities which can easily claim a history of hundreds of years. In the early 20th century, more than 85% of the urban population was internal migrants, not to mention the segregated and separated urban jurisdiction shared (unequally) between the UK, US, France, China, and later Japan. So at the grander scale, it was the struggle between states in defining the city. In terms of who counts as a Shanghairen, it has been even more contested, based on birthplace, hukou (household registration status), urban residency, or vernacular capacity. As we know, identity claim is never solely about identification, but also about aspiration and desire for something else. Since the early 20th century, due to wars, natural disasters, and economic opportunities, there have been four waves of internal migrants who settled in Shanghai. Their political and socioeconomic conditions vary greatly, e.g., from the Baghdadi Jewish Sassoon family, known as “Rothschilds of the East,” the Soong family, Mao Zedong, and refugees from northern Jiangsu Province fleeing draught and famine in the early 20th century, to talents from across the country meeting the “two high and one low” (high in education and skill level, low in age) standard to obtain a Shanghai hukou in the early 21th century. Hence their rights to identify themselves and power to alter and influence the urban scenes politically, economically, socially, culturally, and linguistically also differ greatly. 

Andy Zhenzhou Tan: The concept “linguistic right to the city” is central to your arguments but not itself thematized. The allocation of linguistic rights and placement of blame for language injustice are complex processes. In these processes, what are your positions towards multiple parties involved? In terms of justice, how would you compare the previous diglossia system in Shanghai and the recent state-initiated collapse of it? Could you reflect on your own positionality in this matter? 

Fang Xu: During my dissertation proposal defense, a Shanghainese rap song I quote in my proposal prompted a committee member to warn me that native Shanghai people’s xenophobia motivated by their heartfelt linguistic loss might come across as KKK-like. The song was widely circulated among online communities of native Shanghai people in the early 2010s. It cried out to preserve the Shanghai dialect and Shanghai’s urban culture. This so-called “Shanghai Anthem” appropriates the melody of the Chinese national anthem “March of the Volunteers” (original lyrics in “[ ]”) and modifies the lyrics to express a growing hostility towards recent migrants to Shanghai. 

[Arise! All those who don’t want to be slaves!]

Arise! All those friends who speak Shanghai dialect!

[Let our flesh and blood forge our new Great Wall!]

Let our language become the roar of Huangpu River!

[As the Chinese people have arrived at their most dangerous time.]

As the Shanghai dialect has arrived at its most dangerous time.

[Every person is forced to expel his very last cry.]

Every Shanghairen is forced to expel his very last cry.

[Arise! Arise! Arise!]

F-ck! F-ck! F-ck!

[Our million hearts beating as one,]

Our million hearts beating as one,

[Brave the enemy’s fire, March on!]

Get rid of all the out-siders, rid of!

[Brave the enemy’s fire, March on!]

Get rid of all the out-siders, rid of!

[March on! March on! On!]

Rid of! Rid of! Rid of!

Being a Shanghai native, it is hard for me not to lament the potential loss of the dialect. But being a Chinese national living in North America for 15+ years has made me keenly aware of the sense of exclusion manifested in urban linguistic space in Shanghai. That’s why I found it important to give voice to the migrants in Shanghai in the last empirical chapter (Ch. 5) of my book. When we think about injustice, we need to look at the positionality of the accuser and the accused, and analyze their lived experiences and their aspirations. The power dynamics experienced during my field research could be telling. I couldn’t help but notice how the dialect preservation activists acted not only in a sexist but also racist way, e.g. suppressing female activists’ voices and participations, or how some activists with somewhat self-claimed linguistic training attributed Mandarin Chinese to a contamination from the barbarian Manchurian – which is a Tungusic language belongs to Altaic family – from the Qing Dynasty. Their xenophobia in guarding the (exclusive) Shanghainese identity was apparent as they jeered and laughed at the migrants’ efforts to acquire the Shanghai dialect, suggesting the latter are climbing the social ladder by faking something they would never be able to achieve – a true insider membership. And people holding such negative opinions are oftentimes those who didn’t fare well in the last 20 years socioeconomically and can no longer afford lots of the consumption spaces or upscale residency in the inner city. So by (re)claiming their linguistic right to the city, they are wielding weapons of the weak, quoting James Scott. That said, linguistic rights to the city are tightly connected with social and economic rights to the city, and certainly beyond housing. 

Andy Zhenzhou Tan: What distinguishes the story you tell from other studies on linguistic change is the important parts accorded to urban developments, geographical and spatial conditions of social interaction, and place attachment. This is captured by the two senses – architectural and linguistic – of the word “vernacular” in your book. Can you give us a glimpse at the intricate relations between urban changes and linguistic loss in Shanghai, especially in the recent decades? 

Fang Xu: There was a common saying in Shanghai quoted in my book that connects languages and the space – public and private – where they are spoken or can be heard: “English is spoken in the Inner Ring, Mandarin is spoken in the Middle Ring, and Shanghai dialect Outer Ring”. The order also corresponds to the outwardly decrease of housing prices. Within one saying, the intricate relations are revealed between social-economic status, urban redevelopment in terms of relocating more than one million households to the periphery and throwing them into the harsh reality of urban political economy of the commercial housing market, and language. Essentially, many native Shanghainese were relocated to the periphery of urban Shanghai, or previously rural counties. The pride and esteem in living in the urban center was gone, as well as the proximity to urban amenities and the urban built environment which set Shanghai apart from the rest of the country and exemplifies (Western) modernity since the early 20th century. They lost the material base and geographical location(marker) to self-aggrandize as Shanghairen (Shanghai people). However the deprivation of privilege should be recognized as a relative one. The displacees’ Shanghai hukou still granted them access to top quality healthcare, education, pension, and a plethora of other benefits. Even these relative privileges have been lost, as internal migrants who have obtained either a Shanghai hukou or a Shanghai Resident Permit have been granted those benefits by the municipal government since the 2000s. The loss felt by native Shanghairen is the exclusive access and claim. In this context, I am trying to tell a story of long-term residents holding onto their (symbolic) ownership of the urban built environment and linguistic space as the only remaining bulwarks of their Shanghainese identity.

Andy Zhenzhou Tan:  As far as I know, your PhD training was in urban sociology. Yet you have written a monograph on a more typically linguistic anthropological/sociolinguistic topic. Despite the rare co-existence of these two disciplines in the work of Pierre Bourdieu, from whom you draw a lot in your book, we may say they have gone in quite different directions thematically and methodologically. What has been your experience of bridging urban sociology and linguistic anthropology/sociolinguistics?

Fang Xu: It has not been easy to convince urban sociologists that the sonic or auditory dimension of urban life matters. There is a branch of urban sociology bridging visual sociology, but language? To the most, some human or cultural geographers. When we think about a diverse or cosmopolitan place, we imagine people from all over the world, presumably speaking different mother tongues, but forced to adopt the mainstream language of the city or society, albeit with various accents. I have been trying to argue that when urban sociologists study (im)migrants or ethnic enclaves, attention should be paid to the languages they speak; or when they talk about residential segregation based on class, race and ethnicity, as well as consumer habits and taste, language spoken/usage should have a place in the investigation. So far, the subjects in those studies predominantly speak perfect Standard American English, or whatever national or official or dominant languages in the societies in question. That is not a true depiction of those people’s everyday lived experience. Generally speaking, the urban soundscape is socially organized and organizing (Atkinson 2007). One of the defining characteristics of cities is its heterogeneity – the other two being size and density (Louis Wirth 1938). Lewis Mumford (1937-1996) also advises urbanists to pay attention to the “theatre of social action.” However, what we have read so far are in subjects’ words, but not in their own voices. My monograph Silencing Shanghai and a recent piece about the urban sonic landscape I am working on with a few cultural geographers in Europe are both attempts to put these critical insights into practice. 

I do feel this inbetween-ness in my scholarly life, as well as in my personal life, being an immigrant in the U.S., and when I go back to Shanghai and do not hear my mother tongue spoken on the streets of my hometown. However, I see the rarity of such interdisciplinarity as the strength of my work, and the direction of my future pursuit. There is also an echo between my work and my fieldsite in terms of their hybridity. Shanghai is indeed an urban laboratory in many ways different from other cities in China, but not dissimilar to other global cities. Like NYC, it is one of a kind, and deserves much more scholarly attention.

Tamar Katriel on her book, Defiant Discourse

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Interview by Irit Dekel

Irit Dekel: Your recent book Defiant Discourse helps readers understand the relations between speech and action, revisiting important questions concerning the performativity of language.  It does so in its critique of speech act theory by analyzing the vernacular content of activism in the case of soldierly dissent in Israel-Palestine and in reconsidering what counts as verbal action in a culture in which there is skepticism about language.

How do you problematize the notion of activism in the book?      

Tamar Katriel: I problematize activism by viewing it as a historically-situated discursive formation associated with grassroots struggles for political and social change. The term activist designates individuals or groups whose non-violent interventions in the public sphere draw on a globally recognized and ever-expanding activist repertoire. The soldierly dissent I discuss in the book is a form of discourse-centered activism that involves speaking out about morally objectionable military policies.

Irit Dekel: What are the unarticulated tensions within discourse-centered activism, which become a feature of activists’ engagement?    

Tamar Katriel: A major tension I address is between a trust in language and skepticism towards language as a social tool that is related to two contending language ideologies – a speech-as-action ideology is grounded in a performative view of speech as powerful and efficacious; and a speech vs action dualism (encapsulated in the suffragist slogan “deeds, not words”) that is language-skeptic.

Another tension has to do with competing conceptions of the notion of action that ground activist projects – between the pragmatic search for effective action in terms of tangible results, and a view of action that underscores its creative potential in challenging well-entrenched power arrangements and opening new possibilities for collective engagements. 

Participants in grassroots activism also navigate between the incremental nature of activist action and the sense that it is part of a long and sometimes globally dispersed chain of struggles, and the sense of urgency that attends their local activist engagements and the desire to see tangible results.

Finally, I also discuss the enormous tension attached to the position of the critic-from-within, which involves taking a critical stance towards hegemonic positions in the society of one’s belonging. Such activist struggles are fueled by a socially self-distancing sense of moral outrage coupled with a deep sense of commitment and caring for public life. This tension gives rise to the extremely difficult persuasive task of swaying audiences by giving voice to challenging positions they are reluctant to address.

Irit Dekel: How does the understanding of dissent, parrhesia and witnessing – developed from your works on dugri speech and Breaking the Silence – reflect the centrality of speech and action as two mutually implicated cultural categories?           

Tamar Katriel: My early work on dugri speech, Israeli straight talk, was dominated by an attempt to characterize its distinctive quality as an historically-situated cultural style. I described it as grounded in a language ideology that warrants the use of directness, even bluntness, which is taken to be the mark of courage and sincerity. This kind of directness has indeed become a major feature of Israeli identity (or mythology, as some would have it). Truth-telling in its dugri version is grounded in mutual trust. Truth-telling in dugri speech, as in the ancient Greek discursive idiom of parrhesia, as explored by Michel Foucault (2001), relates both to the dimension of factuality and to the cultural imperative to be true to oneself.

In terms of the speech-action nexus, dugri speech can be seen as maximizing language’s action-potential through a gesture of defiance. In my 1986 book, I used the lens of dugri speech to analyze Colonel Eli Geva’s public refusal to lead his troops into Beirut during the 1982 Lebanon War. In accounting for his dissent, he said that he could see children playing in the city streets when looking through his binoculars, thus linking his act of soldierly defiance to his position as a direct witness as well as to his inner sense of morality. Eli Geva’s defiant discourse threw a momentary light on the human reality of modern battlefields and made a powerful point about commanders’ personal responsibility. The act of witnessing in his case, as in the case of the contemporary Breaking the Silence veterans’ organization, involves insisting on the reality before one eyes and its moral implications, even when others cannot – or will not – see it. While Eli Geva’s was a spontaneous, individual act of defiance, Breaking the Silence is a full-fledged witnessing organization, whose founders have identified the social denial surrounding the reality of the Israeli occupation of Palestinian territories as a central impediment to the their morally-driven politics of change. Collecting and disseminating soldiers’ personal narratives as a source of counter-knowledge, they speak truth to power by giving voice to authentic, personal witnessing accounts of their military experiences as occupiers.

Irit Dekel: By focusing on defiant discourse as solidarity-oriented dissent, the book makes an important contribution to understanding political and social implications. Michael Rothberg’s The Implicated Subject: Beyond Victims and Perpetrators (2019) sheds light on implication-based activism and intervention in art. Your analysis deepens our understanding of implication and complicity on (at least) two important aspects: you discuss perpetrators’ witnessing, and the moral implications of being a bystander. Second, you show how knowledge, addressivity-structure, and multiple audiences inform our understanding of the mediated space of appearance and the roles of different subjects in it. How do you perceive the category of implication? Where would you recommend further elaboration and research?

Tamar Katriel: I find the ‘etic’ category of implication useful for thinking about issues of moral responsibility in contexts of violence. The term implication seems to me broader and less judgmental than the that of ‘complicity’ and invites a consideration of degrees and types of involvement (in both spatial and temporal terms). As Rothberg points out, the notion of implication opens up new avenues for thinking about political responsibility by allowing us to go beyond the victim/perpetrator binary and the rather vague category of bystander and consider additional categories of social actors such as beneficiaries and perpetuators of     violent action.  What I think we now need are more ethnography-based thick descriptions of various ’emic’ constructions that can fall into the overarching category of implication as they play themselves out in various empirical cases (particularly as they relate to non-artistic practices, so as to complement Rothberg’s focus on artistic expression). More studies of the various ways in which people see, refuse to see or fail to see themselves linked to the perpetuation of violent practices or injurious institutional arrangements can further flesh out the notion of implication, and my book is one step in this direction. The case of Breaking the Silence witnesses is clearly one of complex implication, in Rothberg’s terms. They see themselves as victimized-victimizers, as both perpetrators of human right abuses and, simultaneously, as victims of the military system in which they operate (and the society that sustains it). In fact, implication is a central theme of their witnessing project – they acknowledge their own implication as perpetrators and point to that of their target audiences as past or potential perpetrators, as direct or indirect beneficiaries of the occupation regime, and as its immediate or long-distance perpetuators. Rather than discarding the category of bystander, as Rothberg would have us do by suggesting the more specific categories of beneficiary or perpetuator, as a linguistic anthropologist, I would ask how the term bystander is used in both vernacular and academic discourses, not how it is to be defined. Indeed, a good deal of vernacular political talk touches in one way or another on the issue of implication both directly through the use of the notion of standing by, and indirectly through the assignment (or dodging) of responsibility for violent actions. Such talk would be a good place to start asking questions about the shifting forms of implications and their discursive articulations.

Irit Dekel: I’d like to ask about the comparative promise for future research that we can draw from you writing on Communication Culture on the one hand and dugri discourse on the other hand, for studying Defiant Discourse and protest culture more generally.      

Tamar Katriel: Before studying Israeli dugri speech, I co-authored a study on the term communication as used in American speech (with Gerry Philipsen), which was titled “What We Need is Communication.” In this study, we identified a prominent American way of speaking, popularly known as “communicating” (contrasted with “just talking”). We found that the term “communication” was invoked as a solution to personal and interpersonal problems, and that people often evaluated themselves and others in terms of the quality of their communication skills. Over the years, the prevalence of this Anglo-American cultural idiom, for which Deborah Cameron (2000) proposed the term “communication culture”, has been extensively explored by scholars in Communication, Cultural Sociology and Sociolinguistics. ‘Communication culture’, which is at least partly rooted in the Western therapeutic ethos, has filtered into middle-class Israeli society in the 1980s and is currently discussed in Israeli social science research in a variety of settings, most prominently in conjunction with personal and national experience of trauma. I believe it has by now come to challenge the primacy of dugri speech as an Israeli vernacular idiom in which the speech-action nexus is foregrounded. Notably, both dugri speech and communication culture are underwritten by a language ideology in which speech is viewed as powerful action. But speaking takes very different shape and matters in very different ways in each of them. I began to address the Israeli version of ‘communication culture’ in the early 2000s by studying night-time call-in therapeutic radio programs (Katriel 2004). In that book, I juxtaposed therapeutic talk radio and dugri speech as two distinctive and alternative cultural idioms. In Defiant Discourse I updated my study of the dugri ethos as articulated in the context of discourse-centered activism. I now see dugri speech and ‘communication culture’ as two distinctive cultural codes that are central to Israeli speech culture (and perhaps beyond). As Tamar Kaneh-Shalit (2017) has argued in her study of the therapeutic setting of Israeli life-coaching, they may intertwine to create a hybrid style that combines elements of both the dugri and the communication codes. In future work, I plan to further explore how these codes may rub against each other so as to get a better handle on both local and global questions of cultural change and the role of language in it.

References

Cameron, D. (2000). Good to talk? Living and working in a communication culture. London: Sage Publications.

Foucault, M. (2001). Fearless Speech. Los Angeles, CA: Semiotext(e).

Kaneh-Shalit, T. (2017). The goal is not to cheer you up: Empathetic care in Israeli life  

coaching. Ethos 45(1), 98–115.

Katriel, T. (2004). Dialogic moments: From soul talks to talk radio in Israeli culture.

Detroit: Wayne State University Press.

Katriel, T. & G. Philipsen (1981) ‘What we need is communication’: ‘Communication’ as a cultural category in some American speech. Communication Monographs 48, 301-317.

Rothberg, M. (2019). The Implicated Subject: Beyond Victims and Perpetrators. Redwood City,

CA: Stanford University Press.

Elisabeth Barakos on her book, Language Policy in Business

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https://www.jbe-platform.com/content/books/9789027260697

Interview by Maria Rosa Garrido Sardà

Maria Rosa Garrido Sardà: “Language Policy in Business: Discourse, Ideology and Practice” is one of the first critical sociolinguistic studies on minority language policy in private companies. Why did you decide to explore corporate policies as a site for language policy definition, appropriation and implementation? And why is corporate policy an important arena for debates about, and struggles over, language revitalisation movements in present-day Europe?

Elisabeth Barakos: So, I have always been interested in the everyday politics of minority languages. It all started out with an internship at the Council of Europe in Strasbourg, where I worked for the European Charter for Minority Languages – my first touching point with language policy, so to speak. Bilingual Wales in the UK has historically been characterised by language decline and marginalisation vis-à-vis the dominant majority language English. Whilst ample scholarship documents the use of Welsh in education, little do we (still) know about the world of work and the field of the economy more widely. The private sector has been one that struck a chord with me since this has been a space where the use of Welsh is (largely) voluntary, unlike the public sector that is legally obliged to provide a bilingual service. In that sense, I was interested to look at, and explain, what was happening in the field of business in terms of bilingualism. That’s when I also learnt that what I was observing connected to politics and the economy more broadly, and wider structural processes of linguistic inequality and historical domination.

Returning to your question over why corporate language policy is important: I guess the answer lies in the fact that the economic sphere touches on largely every social aspect of life. Private sector businesses in Wales thus serve as a unique and highly relevant terrain in which to investigate opportunities for bilingual practices. Likewise, bilingualism in business raises inherent questions over language rights as well as equality of opportunity, perception and treatment of Welsh vis-à-vis English. And crucially, it also ties to issues of identity, nationalism, culture and belonging.

Maria Rosa Garrido Sardà: This monograph clearly demonstrates that language policy has a life beyond the written official document as it is debated, negotiated and implemented by a wide array of social actors in specific socio-political, economic and historical contexts. In order to study language policy as a process, you have proposed a discursive and critical-sociolinguistic approach to the practices, ideologies, and discourses in the promotion of bilingualism in businesses. Could you describe your approach to language policy in context for the blog readers?

Elisabeth Barakos: Yes, so my point of departure has been to move away from text-centred approaches to language policy towards an understanding of language policy as a discursive process that engages people’s discourses, ideologies and practices. A focus on policy-as-text has been quite central in the field of language policy studies and discourse studies more widely at the time. Via my readings of critical sociolinguistic, linguistic anthropological and ethnographic work, I learnt that every text has a context, a history and a dialogic relationship with the social. So looking at policy documents alone didn’t quite do the job for me. Combing texts with data on language policy agents (e.g. business representatives), their views, practices and experiences on the ground and attending to questions of how language ideology surfaces in text, discourse and practice, made much more sense to better grasp what’s at stake in bilingual Wales, for whom, and with which tangible consequences. In that sense, a discursive approach to language policy offers a multi-method and multi-perspective way into analysing minority language communities.

What I am trying to say is that language policy has a life beyond the text. It has a past, present and future we need to consider analytically. How, then, can we do that? By engaging with the people who create, distribute and consume policy, and by situating language policy within its social structure and historical context.

Maria Rosa Garrido Sardà: Sociolinguists actively participate in an on-going conversation about language issues involving many different people and organisations with different socio-political and economic interests. I would like to know in what ways you have established relations with Welsh universities and governmental bodies and how your research has been received so far. In terms of researcher positionality, I am curious to hear more about you negotiated your positioning as a researcher who does not speak Welsh with informants during your fieldwork. What did these collaborations and negotiations reveal about bilingualism in Wales?

Elisabeth Barakos: Yes, so at the heart of Language Policy in Business is the premise that language is a focal point for articulating and living out power relationships and that language policy processes are never apolitical. Different voices articulate different claims over language. As to your question how my research has been received so far? I can’t speak for everyone but I hope that policy makers, businesses and scholars working on (minority) language policy have found value in the type of research that I do. To give you an example, the North Wales Economic Ambition Board has integrated my work on Welsh in the workplace into their Regional Skills & Employment Plan. My ongoing connections with the Welsh Language Commissioner’s office have also opened further doors to continuing research, which I really appreciate.

Further to your question about my own researcher positionality: well, yes, I have written this book and carried out this research, knowingly that I am not Welsh and Welsh-speaking; nor am I British. I am a multilingual with a vested interest in how minority communities negotiate discourses, ideologies and practices surrounding language. So, if you want, I took some kind of outsider perspective on what’s going on “inside the Welsh bubble” (as one of my research participants used to call it). At heart, I always made sure I revealed my background and motivations for doing this research, despite being a non-Welsh speaker, and my participants trusted me with their insights, concerns and worries and shared their experiences and practices.

With the book, I tried to tell a story about Welsh-speaking people’s experiences of their use of the language in the world of work. For what it’s worth, I can only offer one slice of this experience and reality, and my story is certainly not without its limitations.

Maria Rosa Garrido Sardà: I really appreciated the multi-layered analysis of the promotion of bilingualism in post-devolution Wales. Based on your corpus of national and corporate policies, how has the concept of bilingualism evolved over time? Which different discourses construct “a truly bilingual Wales” and with what social consequences?

Elisabeth Barakos: Thanks for this question. So, the idea has been since the Welsh devolution in 1999, and probably much earlier, to plan for a truly bilingual Wales, premised on the notion of treating Welsh and English on the basis of equality and on offering a language choice. There is nothing wrong with this ambition. What I could observe though was that many policy discourses and people’s practices turned this principle of choice into a parallel monolingualism, or what Monica Heller has labelled double monolingualism, a homogeneous co-existence of two linguistic systems. Also, what I found was that ‘bilingual services’ and ‘choice’ were often mere policy rhetoric or used as part of corporate branding and PR, whilst the reality showed a consistent lack of active offer for Welsh services and lack of opportunities for its usage. So, say, if you go into a bank in Wales, you may have to actively demand a Welsh language service, that is, ask for a Welsh or bilingual form, rather than being offered it naturally, as you would in English. We can see this classic reproduction of the policy-practice gap here, with English still functioning as the default language.

Maria Rosa Garrido Sardà: You close the book with a recent social media campaign to share the benefits of using Welsh in businesses within the broader Cymraeg 2050 strategy to reach 1 million Welsh speakers by 2050. What do you think the future holds for language policy in post-Brexit Wales? Which issues and questions remain open for future research about language policy in minority language contexts from a critical perspective?

Elisabeth Barakos: What I observe is that the notion of linguistic equality and parity of status between Welsh and English remains central. The government’s new strategy Cymraeg2050 is ambitious, if not ideologically vested with fixing speaker numbers, and again, commodifying language. Much work still needs to be done to carve out more spaces for the Welsh language to be recognized, valued and treated with the same respect as English on a daily basis. I am privileged to continue this strand of research as part of a new international project “L’égalité linguistique en temps de transformations politique / Linguistic equality in times of political transformation”, together with colleagues in Canada and Catalonia, Spain. We live in unsettling and troubling times. Brexit and the endemic Corona pandemic have brought new issues to light for Welsh language policy matters and re-shifted priorities for planning for a bilingual Wales. With Brexit, will the Welsh language further decline due to the loss of vital funding programs that used to create sustainable employment for Welsh speakers (such as in agriculture or tourism)? With the pandemic, how do Covid-19 related restrictions affect Welsh-speaking communities? In that sense, critical language scholars need to grapple with what these political, social and health crises will do to languages and their speakers, and what language policy processes can do to alleviate crisis moments and preserve the future of the Welsh language in a multilingual, post-pandemic and post-Brexit Wales.

Kristin Hickman takes the page 99 test

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On page 99 of my dissertation, Révolution Dārija? Imagining Vernacular Futures in Morocco, the reader finds themself in a Casablanca dubbing studio alongside a sound engineer and a voice actress who are in the process of dubbing a Mexican telenovela (Una Maid en Manhattan) into colloquial Moroccan Arabic (dārija):

One afternoon, I was sitting in the recording studio occupied by Adil, a cocky male sound engineer who was constantly trying to find other recording gigs on the side much to the frustration of Plug In’s administration. That day, he was scheduled to record several episodes of Maid with Asmae, the actress playing Tanya. Asmae was fun to record with, unlike some of the older actors, but even so Adil had no shame in pointing out to me how little he enjoyed his job. “What we do is boring (Ce qu’on fait est ennuyeux),” he said to me between takes, “And I can’t stand this language (mā kānḥimilsh had al-lugha)… Even the music is horrible (wa l-mūsīqā mā mūsīqā lā wālū)!”

In the middle of their hour-long recording session, Adil suddenly stopped the recording. Still looking at the screen but speaking to Asmae over the microphone, he corrected her pronunciation of the verb for ‘to marry.’ “Zuwwaj, not juwwaj!” he yelled into the mic. Putting her hands on her hips, in an expression of sass that fit with her character Tanya in Maid, Asmae countered: “But in our dārija (fī dārija diyālnā), I say ‘juwwaj’!”

“A wīlī!” (oh my goodness) Adil responded, sounding genuinely scandalized. They went back and forth a bit, but Asmae stubbornly insisted that she said juwwaj and that even though zuwwaj was closer to the word in fuṣḥa [classical Arabic], they were speaking dārija [colloquial Moroccan Arabic] and in dārija it was fine for her to say it like that.

On the one hand, Adil’s shock at Asmae’s pronunciation of the verb ‘to marry’ can be likened to the kind of shock (and humor!) Americans experience when realizing that English speakers in other countries pronounce things in surprisingly different ways (I still find it hilarious when British people pronounce the word “sloth”). This kind of surprise is not only typical of encounters between Moroccans from different regions, but also of encounters between individuals from different parts of the Arabic-speaking world (such encounters have even become a YouTube genre!).

On the other hand, Adil’s shock touches on a particularly Moroccan experience of language, which is at the heart of my dissertation. What Adil and Asmae are doing in this scene is debating the parameters of an emerging standard form of colloquial Moroccan Arabic (dārija). Together, they’re trying to imagine the contours of a cosmopolitan, un-Moroccan form of Moroccan Arabic that can plausibly be voiced by anyone, including a Puerto Rican maid in a Mexican telenovela set in New York. What they’re trying to do, in other words, is imagine a form of dārija that can be heard by other Moroccans (and by themselves) as a voice from nowhere (nowhere in particular in Morocco, and nowhere in particular in the world). No small task for a regional variety of Arabic that has the distinction of being the most stigmatized and least widely understood dialect in the Middle East and North Africa.

As I show in the larger dissertation, while self proclaimed language activists were the force behind certain top-down standardization initiatives in Morocco (see for example Centre de Promotion de la Darija), the weight and the work and the contradictions of standard language ideology often ended up being negotiated by average Moroccans in their day to day lives. This scene with Adil and Asmae is just one illustration of how ordinary Moroccans become entangled in the linguistic sensibilities of postcolonial modernity as they struggle to imagine alternative linguistic and national futures.

Kristin Gee Hickman. 2019. Révolution Dārija? Imagining Vernacular Futures in Morocco. University of Chicago Phd.

Guilherme Fians takes the Page 99 test

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On page 99 of my dissertation, the reader finds themself in the middle of an ethnographic description of a heated political debate held during the 101st Universal Congress of Esperanto, in Nitra (Slovakia) in 2016. In this debate, members of the World Non-National Esperanto Association were reflecting on the aims of their activism: should this association use Esperanto to create inclusive, internationalist conversation spaces where people from different national and linguistic backgrounds could gather and meet halfway by speaking a non-national, non-ethnic language? Or should they adopt a more combative stance and use Esperanto as an anti-nationalist tool to fight the exclusionary and xenophobic aspects of nationalism?

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Entrance of the congress venue, the Slovak University of Agriculture, where the 101st Universal Congress of Esperanto took place. The Esperanto flag between the Slovakian and EU flags helps to convey the internationalist atmosphere at stake in the Esperanto gathering [Photo: Guilherme Fians].

While page 99 brings us to a brief diversion to Slovakia, my doctoral fieldwork – which placed my dissertation as the first extensive ethnographic study of Esperanto speakers and activists – was carried out mostly in France.

Constructed in the late nineteenth century as an attempt to promote mutual understanding between peoples through language comprehension, Esperanto has been historically associated with internationalism, gathering a community of speakers and activists that strategically connect this language with diverse global political platforms. If, in France, Esperanto used to be particularly prominent among anarchists, communists and pacifists, what is this language’s current political relevance? What impacts have new communication technologies such as social media had on the organization of this community and language movement? Through participant observation – in French and Esperanto – and archival research concentrated in Paris, I mapped out how Esperanto activists use this language in online and face-to-face debates to question the post-political consensus about the use of national languages (such as English and French) for international communication.

Approaching a moment of significant changes in the way people communicate and mobilize politically, I found that Esperanto frequently works as a gateway for people to engage with other political causes, such as movements for open-source software and against neoliberal globalization (like the Gilets jaunes in France). Within these frameworks, Esperanto activists depart from the fight against linguistic discrimination and a preference for participatory over mass communication to re-politicize acts of communication and contribute to radical politics.

Reaching back to Nitra, where both this blog post and my fieldwork began, the outcome of that debate was that any form of internationalist or anti-nationalist stance can prove productive, as long as it fosters more egalitarian and inclusive communicative exchanges through the international circulation and co-production of information, ideas and knowledge.

 

Fians, Guilherme. 2019. Of revolutionaries and geeks: Mediation, space and time among Esperanto speakers. University of Manchester, PhD dissertation.

William Leap on his book, Language Before Stonewall

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Interview by Brian Adam-Thies

https://www.palgrave.com/gp/book/9783030335151

Background
The Stonewall “Riots” occurred from June 28th-July 3rd, 1969 in New York City, Greenwich Village.   These events began as a result of police oppression and harassment of LGBTQ+ in the Stonewall Inn, a popular bar and meeting place.   The events reportedly evidenced spontaneous cooperation between people of all colors; gender conforming and non-conforming; cis-gender lesbian and gay men; different generations; and people from various socio-economic classes.  The Stonewall moment is said to mark the rise of the modern LGBTQ liberation movements.   Pride Month occurs in June each year to commemorate the events at Stonewall and their significance. Leap’s  book questions whether “it all began at Stonewall” accurately describes U.S. LGBTQ language history. Leap offers multiple examples showing that language before Stonewall was not buried in the closeted but in broad circulation, inflected variously across gender, race, class and other forms of difference, and associated with multiple moments of disidentification, rebellion and refusal before late June,1969.

Brian Adams-Thies: Pride month is based on what you term the ‘anchor ideology of Stonewall’.  This   powerful ideology  has both linguistic and material repercussions.  What inspired you to interrogate the ideology?  How did you come to write this book?

William Leap:. The stories about the events at Stonewall in late June 1969 that  are  presented at Pride events,   in the public media, and in many gay history books explain the event by telling the Stonewall story according to an appropriate, anchoring formula: experiences of “the closet” preceded Stonewall, and pathways to gay liberation swiftly followed, culminating in marriage equality, access to military service and federal promises of security within the workplace. We hear this story and we agree (with Althusser): “that’s good, that’s right, that’s true”.

But as is often the case for ideologies, this version of the Stonewall story  privileges a certain storyline while  excluding nonconforming subjects and narratives. Recent discussions of Stonewall have done much to decenter whiteness and gay/lesbian dominance.  For myself, I have long been  suspicious about the  Stonewall-related stories suggesting that language  before Stonewall was a secret “code,” shared but deeply concealed within the in-group,   unfamiliar if not entirely unrecognizable to outsiders. Through such mean, same-sex desiring, gender-transgressive and similar subjects could safely signal concealed identities to each other in public places —  dropping words and phrases like “[hair]pins”. The events at Stonewall and their aftermath brought this secret code  out of the closet and into the streets, making this linguistic usage public, visible, explicit, and open for anyone to hear.

This linear historical trajectory meshes with Stonewall’s anchor ideology:  the concealed becomes visible, the disguised become revealed. But  , this linear trajectory is not supported by the abundance of evidence documenting the widespread circulations of language before Stonewall within mainstream as well as “marginal” locations. Contrary to the anchor ideology, language before Stonewall was already “ … in the streets.” What Stonewall did was strengthen a more privileged discourse of sexual sameness tied to racial and economic hierarchy and privilege which was already in place before and would soon become    a language of homonormativity.

Having worked with language and sexuality studies for some time, I wanted to tell this story, and bring forward parts of the argument that I left unaddressed in Word’s Out  (Leap 1996).  Language before Stonewall is the result.

Brian Adams-Thies:  What do you mean by queer historical linguistics?  And why is Halberstam’s “scavenger methodology” (1998: 13) a helpful orientation for work in this mode of queer inquiry?  

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