Michelle Williams takes the page 99 test

One half of page 99 of my doctoral thesis is a photo, taken at eye level of a group of Tongan students sitting cross-legged on the ground of their school courtyard in Auckland, New Zealand. They are rehearsing for an upcoming cultural festival that is the central topic of my research. I am sitting, unseen, with the students as we learn the performance item together. The movement of our bodies and voices has become synchronous over several weeks of practice and in this moment, the production of culturally-specific movement and sound is a uniting factor among myself and the student participants. However, the image also represents a key problem central to my fieldwork methodology: although membership in a music-community transcends difference in some ways, how would I bridge the spaces created by authority, power, ethnicity and age? How could I represent young people’s experiences effectively and help to bring their voices to the fore within a discipline that often excluded them? These questions were significant components in constructing my research model.

My research approach was informed by both Pacific research frameworks and recommendations from ethnomusicology, many of which overlapped in their emphases on relationships, collaboration, and reciprocity. Educational research helped me to problematize how I would represent myself to students, and was essential guidance to the shifting roles I undertook as a learner, music-community supporter and friendly teacher (the latter during the focus groups we co-created). Throughout my fieldwork I attempted to daily to bridge the spaces created by my adult authority and my privileges as a white American researcher, through shared love of popular music, my immigrant status, my Christian upbringing and the common goal of representing “our” school at the cultural festival. Although I had to concede a number of limitations, I was pleased that ultimately the experiences and viewpoints of the students were a major component of my findings, and included several “firsts” in research with Pacific youth in New Zealand.

Michelle Ladwig Williams. 2019. The ASB Polyfest: Constructing Transnational Pacific Communities of Practice in Auckland, New Zealand. University of Auckland, Phd.

Julie Archambault on her new book, Mobile Secrets

Mobile Secrets

http://press.uchicago.edu/ucp/books/book/chicago/M/bo25681045.html

Interview by Anna Eisenstein

Mobile Secrets is an ethnography of youth, of mobile phone usage, and of uncertainty in a suburban neighborhood in southern Mozambique. What were your primary goals in writing this book? 

When I first set out to conduct research in Inhambane, I was interested first and foremost in youth—I wanted to get a sense of what it was like to be a young person growing up in postwar postsocialist Mozambique. I hadn’t originally planned to explore this question though the study of mobile phone practices but once in the field it soon became evident to me that in order to understand young people’s realities at that particular juncture, I would have to do so through their engagement with the phone. At the time, there was much hype around the spread of mobile phones across Africa, much enthusiasm about all the ‘useful information’ that would suddenly become available to a rapidly growing number of people. I didn’t want to write a book that would directly challenge this wishful thinking with ethnographic exceptions. I wanted to write a book about the spread of mobile phones in an African context, but I also wanted to write a book that was ultimately about young people’s struggles. In the end, the question of information—though not quite the kind of useful information that these observers were excited about—proved a major concern for my young interlocutors, and became central to my analysis. Continue reading